Once you’ve got your head on straight and you’re in class for the right reasons, here are some things you shouldn’t tolerate in your acting class experience, in my opinion. Let’s be clear about that. This is all my personal and professional opinion. I mean no disrespect to any of you or any studio or teacher. But, as the saying goes, if the shoe fits, wear it.
At the end of the day, we’re all different and will respond to learning environments differently. You may love a class that others would avoid like the plague. Some of you might be willing to tolerate some of the following no-no’s because of the specific type of training taught by, reputation of, or relationship you have with, a particular studio or teacher.
My point in this article can be summed up simply as follows: Class is for you, not them. You’re not paying for the privilege to be trained somewhere or by someone. You’re hiring them, like a personal trainer, to train you and help you reach your highest potential. They work for you. If they’re not doing a good job, fire them and move on. Life is too short and this time in your career is too precious.
The reality is that there is a lovely, singular, sensitive artist inside each of you. You’re making enormous sacrifices to pursue acting as a profession. You’ve chosen an art form in which your own heart, mind, soul, and body are the instruments, with all the wear and tear that involves. Add the uncertain nature of employment in our industry and you have a circumstance ripe with opportunities for self-doubt, self-judgment, and feeling overwhelmed, emotionally, physically, and mentally drained, and all the rest. But it’s a price we’re not just willing, but dying to pay because we just love stories, experiencing new lives and relationships, immersing ourselves in all these varied worlds, and working with the most talented people in the entertainment business to tell these stories in the forms of movies and shows.
I want to protect you from unnecessary harm, frustration, wasted time and resources, and I don’t want you to miss out on the faster growth and joy that’s possible in your acting journey by not experiencing or demanding what I put to you as a better learning environment and experience.
Finally, it must be said that all of the following are the direct responsibility of the main teacher, the one whose name is on the door. They set the tone for the class environment, culture, structure, and the behavior of their secondary teachers.
Without further ado, let’s begin:
Abuse. This one gets me the most. I can’t understand why people choose to be in a class where the teacher is abusive to his or her students. And, to be clear, I don’t consider being blunt or tough love as abusive. I mean the ones that are clearly being rude, insensitive, or mean; who insult, embarrass, or humiliate their students, oftentimes in front of the class, making an “example” of them.
To me, there is no excuse for this and it springs from the ego, vanity, or arrogance of the instructor, their sense of entitlement, or from their own personal issues. It can be absolutely traumatizing and leave lasting damage on a student’s self-esteem, self-confidence, and artistic development. It can lock them up into “safe” acting and scare them away from ever taking creative risks, which is the path to brilliance. I have had students come to me after their experiences in other better-known, and supposedly reputable studios, who couldn’t get through a take without bursting into tears from the fear and self-judgment in their head during the scene.
You don’t have to suffer to achieve growth. The industry is hard enough. You shouldn’t have to fear your teacher.
Politics. Seriously? You didn’t sign up and pay hundreds of dollars a month to feel like you’re not one of the teacher’s “favorites,” and that you’re not getting as much attention or feedback because they don’t “like” you. You shouldn’t have to kiss their ass or walk on eggshells. You shouldn’t have to earn their love or prove yourself to them. Your money is as green as everyone else’s. As long as you’re well behaved, working hard, and willing to be taught, you should feel like the teacher cares as much about you and your development as any other student.
Hostile class culture. On that note, it’s the teacher’s responsibility to set the tone for the class culture; how you treat each other. It really sucks to be in a class where the teacher allows the students to be mean and judgmental towards each other, cliquey, negatively competitive, have bad attitudes, and poor worth ethic. This is perhaps one of the worst transgressions.
We are each other’s greatest resource. You should be in a class where the students are encouraged to love and support each other and form friendships. These are the people with whom you’re sharing your journey and some of them may go on to play instrumental roles in your success—perhaps by helping you rehearse, putting you on tape, introducing you to a manger, agent, or CD, or talking you off the ledge in a moment of weakness. Your acting class should be like a family that has your back and recharges your spirit each week, not a battleground or gladiatorial arena.
Next week I’ll discuss a few more things you shouldn’t tolerate in an acting class. But in the meantime, if any of the aforementioned things have been seen in your current class, you might want to begin researching some new ones.
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July 2019
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- Jul 30, 2019 How SAG-AFTRA works Jul 30, 2019
- Jul 25, 2019 Shaan's 2019 Letter to the Members Jul 25, 2019
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April 2018
- Apr 25, 2018 5 Risks of Acting in Non-Union Commercials Apr 25, 2018
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August 2017
- Aug 17, 2017 How to Take Full Advantage of Your SAG-AFTRA Membership Aug 17, 2017
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May 2017
- May 30, 2017 3 Essentials for Brilliant Work May 30, 2017
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February 2017
- Feb 9, 2017 Stop Apologizing Feb 9, 2017
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January 2017
- Jan 18, 2017 Why Good Slates Matter Jan 18, 2017
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December 2016
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- Dec 7, 2016 Don't Make This Major Audition Mistake Dec 7, 2016
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November 2016
- Nov 18, 2016 How to Claim Status in a Scene: Part II Nov 18, 2016
- Nov 11, 2016 How to Claim Status in a Scene: Part I Nov 11, 2016
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September 2016
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June 2016
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May 2016
- May 31, 2016 3 Ways Stage Training Adversely Affects On-Camera Actors May 31, 2016
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April 2016
- Apr 14, 2016 4 Ways for Working Actors to Deal With Emotional Stress Apr 14, 2016
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December 2015
- Dec 1, 2015 How to Handle Unwanted Romantic Advances From Industry Pros Dec 1, 2015
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November 2015
- Nov 11, 2015 Stop Calling It Rejection Nov 11, 2015
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October 2015
- Oct 7, 2015 5 Universal Mistakes I See Actors Make Oct 7, 2015
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September 2015
- Sep 29, 2015 The Unsung Heroes of Casting: Cori-Anne Greenhouse Sep 29, 2015
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August 2015
- Aug 31, 2015 Why Acting Is and Needs to Be Fun Aug 31, 2015
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July 2015
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June 2015
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- Jun 3, 2015 Embrace the Crazy Jun 3, 2015
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May 2015
- May 12, 2015 Being a ‘Good’ Actor Isn’t Good Enough May 12, 2015
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April 2015
- Apr 27, 2015 How Acting Is Like Love and Dating Apr 27, 2015
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March 2015
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February 2015
- Feb 18, 2015 3 Ways to Deal With Performance Anxiety Feb 18, 2015
- Feb 2, 2015 The Importance of Treating Each Other as Family Feb 2, 2015
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November 2014
- Nov 28, 2014 12 Steps to Consistently Brilliant Performances, Part 3 Nov 28, 2014
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- Nov 12, 2014 12 Steps to Consistently Brilliant Performances, Part 2 Nov 12, 2014
- Nov 5, 2014 12 Steps to Consistently Brilliant Performances, Part 1 Nov 5, 2014
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October 2014
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- Oct 12, 2014 Getting Your ‘Look’ Right, Part 1: Identifying Your Essence Oct 12, 2014
- Oct 6, 2014 We Are Each Other’s Greatest Resource Oct 6, 2014
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September 2014
- Sep 29, 2014 An Ode to Actors Everywhere Sep 29, 2014
- Sep 23, 2014 A 4-Step Guide for Success in L.A., Part 2 Sep 23, 2014
- Sep 16, 2014 A 4-Step Guide for Success in L.A., Part 1 Sep 16, 2014
- Sep 9, 2014 The Importance of Training, Part 3: 3 More Things You Shouldn’t Tolerate in Acting Class Sep 9, 2014
- Sep 2, 2014 The Importance of Training, Part 2: 3 Things You Shouldn’t Tolerate in Acting Class Sep 2, 2014
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August 2014
- Aug 25, 2014 The Importance of Training, Part 1: Are You in Class for the Right Reasons? Aug 25, 2014
- Aug 18, 2014 The 6 (Often Thankless) Jobs in Commercial Casting Aug 18, 2014
- Aug 11, 2014 You Are Enough: Why You Need to Just Be Yourself in Commercial Auditions Aug 11, 2014